In my series, entitled “Outerwear”, fragile constructions are meant as imaginary, and futile, protective gear, protection from both the mistakes of the past and the revenge of the future, particularly in terms of climate change. They evolved out of a love for the imagery and printing techniques in outdated reference materials.  The information in these materials is often dated, projecting a celebration of humanity’s ability to exploit nature and each other at a time when that no longer makes sense.